Process Taster: Lino Etching (evening)
May
9
6:00 PM18:00

Process Taster: Lino Etching (evening)

Lino etching is a relief printing process that uses caustic soda paste to etch into lino blocks. This technique can be a good addition to traditional cut lino. You will experiment with mark-making through the use of simple ‘resists’, a way of protecting areas of your block against the caustic. This can produce a wide range of tonal marks.

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Intro to: Lino Etching (2 day)
Jul
13
to Jul 14

Intro to: Lino Etching (2 day)

  • West Yorkshire Print Workshop (map)
  • Google Calendar ICS

Over the course of the two days you will investigate ways of working with lino blocks and a caustic soda paste to bring textural qualities to relief printed images. Lino etching is a very painterly technique, capable of producing gestural marks, gradations of tone, and beautiful unpredictable textures. It can be used stand alone or combined with traditional cutting and masking methods to explore layering and more structural qualities within the image. 

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Process Taster: Lino Etching
Sep
17
10:00 AM10:00

Process Taster: Lino Etching

Lino etching is a relief printing process that uses caustic soda paste to etch into lino blocks. This technique can be a good addition to traditional cut lino. You will experiment with mark-making through the use of simple ‘resists’, a way of protecting areas of your block against the caustic. This can produce a wide range of tonal marks.

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Advanced Lino Etching (2 day)
Oct
9
to Oct 10

Advanced Lino Etching (2 day)

  • West Yorkshire Print Workshop (map)
  • Google Calendar ICS

This advanced lino etching course is perfect for those who have recently attended our popular ‘introduction to lino etching’ course or for those who have some experience in relief based printmaking. Designed to cater to those who would like to expand and advance their knowledge and learn some new processes. 

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Process Taster: Linocut (evening)
Apr
11
6:00 PM18:00

Process Taster: Linocut (evening)

Lino is a traditional relief technique where the surface of a linoleum block is carved away to create marks or an image. Over the course of this taster workshop you will learn how to use lino tools to draw into the surface of your softcut lino plate before inking and printing your plate on one of our presses.

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Process Taster: Lino Etching
Mar
23
10:30 AM10:30

Process Taster: Lino Etching

Lino etching is a relief printing process that uses caustic soda paste to etch into lino blocks. This technique can be a good addition to traditional cut lino. You will experiment with mark-making through the use of simple ‘resists’, a way of protecting areas of your block against the caustic. This can produce a wide range of tonal marks. Once your blocks are etched, you will be guided through inking and printing, with the opportunity to explore colour inking and multi-layered prints, producing 2-3 prints each on good quality paper to take home. 

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Advanced Lino Etching - West Yorkshire Print Workshop, Mirfield
Oct
28
to Oct 29

Advanced Lino Etching - West Yorkshire Print Workshop, Mirfield

  • West Yorkshire Print Workshop (map)
  • Google Calendar ICS

This advanced lino etching course is perfect for those who have recently attended our popular ‘introduction to lino etching’ course or for those who have some experience in relief based printmaking. Designed to cater to those who would like to expand and advance their knowledge and learn some new processes. 

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Intro to: Lino Etching - West Yorkshire Print Workshop, Mirfield
Jul
15
to Jul 16

Intro to: Lino Etching - West Yorkshire Print Workshop, Mirfield

  • West Yorkshire Print Workshop (map)
  • Google Calendar ICS

Join artists and WYPW studio holders Jenny Thomas and Fabian Osborne on our introduction to lino etching weekend course for a full weekend of exploring this exciting technique. Over the course of the two days you will investigate ways of working with lino blocks and a caustic soda paste to bring textural qualities to relief printed images. Lino etching is a very painterly technique, capable of producing gestural marks, gradations of tone, and beautiful unpredictable textures. It can be used stand alone or combined with traditional cutting and masking methods to explore layering and more structural qualities within the image.

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